000 | 01739nam a2200217Ia 4500 | ||
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003 | RRU | ||
005 | 20231016134259.0 | ||
008 | 210901s2009 ||||||||| ||||||| 0|eng|d | ||
020 | _a9781935554004 | ||
040 |
_aRRU _beng |
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041 | _aeng | ||
082 |
_a823.914 _bMAL |
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245 | 0 |
_aFrom Fatwa to Jihad _cKenan Malik |
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250 | _a1st.ed. | ||
260 |
_bAtlantic Books London _c2009 _aBrooklyn |
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300 |
_axxi, 266 p.; 21 cm _b;14.1 x 2.54 x 21.21 cm |
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520 | _aMalik was a freelance journalist working in northern England when the fatwa was declared against Salman Rushdie for his novel, The Satanic Verses. The book was publically burned in England and several of its translators were beaten or murdered. Thirty-seven people were killed when anti-Rushdie protesters set fire to a hotel containing the novel's Turkish translator, and Rushdie's Norwegian publisher was shot. This fatwa, Malik persuasively argues, starkly changed the terms of cultural conflict: "With his four-paragraph pronouncement, the ayatollah had transcended the traditional frontiers of Islam and brought the whole world under his jurisdiction." The multicultural policies implemented to smooth the racial tensions of '60s-era England instead, Malik believes, "helped foster a more tribal nation" and opened a pathway for religious extremism. The "collision of Western moral evasion and Islamist political intransigence became a characteristic not just of the Rushdie affair but of the whole road from fatwa to jihad." Though Malik could be accused of repeating himself or overstating his case, his fine analysis of the cultural forces that have fueled extremist Islam has much to offer. | ||
650 | _aTerrorism | ||
700 |
_9286 _a Malik, Kenan |
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942 |
_2ddc _cBK |
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999 |
_c41 _d41 |